Untitled (Dark)


I first integrated the figure of the werewolf in my work because I felt the work needed something grotesque and suggestive of transformation. I was interested in using monster body parts as an alternative to human-body-part art that had become a commonplace in contemporary art.

David Altmejd, in « Monstrous Energy » / interview with Peter Dubé, Espace, no. 79 (Spring 2007), p. 6-7.

Plaster, paint, synthetic hair, resin, glitter

The Brant Foundation, Greenwich, Connecticut